Friday, April 28, 2006

Marvel Movie Directors & Screenwriters

More details on the upcoming slate of Marvel Movies:

IRON MAN
Director: Jon Favreau (Zathura)
Writers: Arthur Marcum and Matt Hollaway (Shadow of Fear)

HULK 2
Writer: Zak Penn (X-Men: The Last Stand)
Supervillain: The Abomination

CAPTAIN AMERICA
Writer: David Self (Road To Perdition)

ANT-MAN
Director: Edgar Wright (Shaun of the Dead)
Writers: Edgar Wright and Joe Cornish

NICK FURY
Writer: Andrew Marlowe (Air Force One, Hollow Man)

THOR
Writer: Mark Protosevich (Poseidon, The Cell)

Source: Sci Fi Wire

Thursday, April 27, 2006

Dallas Comic Con

I'm planning on attending the Dallas Comic Con this weekend (April 29-30) in Plano, Texas. Should be a good father-son bonding experience for me and my 11-year-old, who's never been to a comic book convention before.

He's been bugging me to go to one ever since we watched the "Mayored to the Mob" episode of The Simpsons (on the Bart Wars DVD), in which Homer saves Mark Hamill from nerds at the Bi-Mon-Sci-Fi-Con.

Anyone else planning on being there?

Marvel Movies

CNNMoney.com published a long, in-depth article yesterday on Marvel's plans to begin making its own movies instead of licensing its characters out to other studios (and then getting a small percentage of box office and DVD profits).

According to the article, Marvel borrowed $525 million from Merrill Lynch to finance 10 films with budgets ranging from $45-165 million each. (That really doesn't work out mathematically, but hey, I'm no financial analyst... I can only assume some of the money is coming from other assets).

The first 5 Marvel Studios movies will include Nick Fury, Hulk 2, Captain America, Iron Man, and The Essential Ant-Man. (Okay, I made up the "Essential" part, but in my mind it always makes the Ant-Man title that much funnier).

Apparently the big risk with this deal is that if the movies bomb and cost Marvel a lot of money, they could end up losing the movie rights to those characters to Merrill Lynch, who could then sell them to other studios.

This is yet another motion picture industry experiment that will be interesting to observe.

Previous Marvel Movie posts:

Battlestar Galactica News

Maybe now this guy will be able to get work.

I started to post this story yesterday, but I was waiting to hear it from the horse's mouth, Sci Fi Wire, which just mentioned it today:
SCI FI Announces Caprica

SCI FI Channel announced the development of Caprica, a spinoff prequel of its hit Battlestar Galactica, in presentations to advertisers in New York on April 26. Caprica would come from Galactica executive producers Ronald D. Moore and David Eick, writer Remi Aubuchon (24) and NBC Universal Television Studio.

Caprica would take place more than half a century before the events that play out in Battlestar Galactica. The people of the Twelve Colonies are at peace and living in a society not unlike our own, but where high-technology has changed the lives of virtually everyone for the better.

But a startling breakthrough in robotics is about to occur, one that will bring to life the age-old dream of marrying artificial intelligence with a mechanical body to create the first living robot: a Cylon. Following the lives of two families, the Graystones and the Adamas (the family of William Adama, who will one day become the commander of the Battlestar Galactica), Caprica will weave together corporate intrigue, techno-action and sexual politics into television's first science fiction family saga, the channel announced.
While we're on the topic of Battlestar Galactica -- arguably the best show on television -- I wanted to mention something that should be of particular interest to screenwriters. The podcasts on the official website, which are usually DVD-style commentary on episodes from producer Ron Moore, now include a 3-part series of recordings from the Battlestar Galactica writers meetings. This is your chance to be a fly on the wall in a Universal Studios conference room and listen in as the entire writing staff does story development for the second half of season 2. Frakkin' awesome.

Wednesday, April 26, 2006

The Beatles Were Bigger Than Jesus...

...and now Joss Whedon is bigger than The X-Men.

Seriously, what font size is that?

Tuesday, April 25, 2006

Captain America: Terrorist Sympathizer

A good friend of mine sent me this link today: The Betrayal of Captain America, described on the "Foundation for Defense of Democracies" website as a "Whitepaper." I was unfamiliar with this term, so I consulted Wikipedia, which describes a whitepaper as "an authoritative report on a major issue, as by a team of experts."

The "team of experts" on this whitepaper was comprised of Michael Medved, a conservative movie critic, and Michael Lackner, a lawyer who is apparently trying to make a career of attacking the politics of comic book superheroes (a year after proudly co-authoring the whitepaper on Captain America, he attacked the Punisher in FrontPage magazine).

The "major issue" at hand is the Captain America comic. The Michaels wrote about Marvel's betrayal of Cap way back in 2003, but somehow I only heard about it today. These experts were apparently incensed that, after September 11, 2001, Marvel Comics failed to do its patriotic duty and use the Captain America series for the purpose it was created: indoctrinating America's youth with jingoistic propaganda.

Indeed, why couldn't Marvel follow the fine example set forth by Fox News, instead of having the audacity to publish stories in which the U.S. government isn't infallible, and Captain America thinks for himself instead of simply being a good soldier? Why must the comics industry hate America?

You know, if Marvel's version of post-9/11 Captain America had Medved and Lackner up in arms, I wonder how they would have reacted to my Ultimate Nick Fury, Agent of SHAFT webcomics, in which the "Sentinel of Liberty" decides that to live up to his name he must become an anarchist and lead the resistance against the tyranny of the Bush Administration.

Actually, I scarely need to wonder, since I'm sure the reaction would have been similar to Medved's review of the film adaptation of Alan Moore's V For Vendetta, which Medved described as "V for vile, vicious, vacuous, venal, verminous and vomitaceous." Damn, with coverage like that, you know the movie just has to be good.

Extreme Sports Spidey

I'm not sure why this picture from the filming of Spider-Man 3 reminds me of Dan Slott's Spider-Man/Human Torch mini-series, but it does.

Saturday, April 22, 2006

Grant Morrison Still Ahead of the Curve

From Yahoo News:
TV seance claims to have reached John Lennon

LOS ANGELES (Reuters) - A controversial television seance airing on Monday will claim it has reached the spirit of John Lennon, but viewers will have to pay $9.95 to find out what the peace-loving Beatle has to say.

The program features what is described as an Electronic Voice Phenomenon, or EVP, that a psychic on the show claims is the disembodied voice of Lennon speaking at a seance in one of his favorite New York restaurants, La Fortuna.
(Read the full story)
Pictured above: Pages 18 and 19 of Grant Morrison's The Invisibles #1 from September 1994. Art by Steve Yeowell. (Click picture to enlarge)

Friday, April 21, 2006

What I Did On My Easter Vacation

Between my new job, the continuous construction (and destruction) going on inside my house, and my son being out of school for Spring Break, my routine (and by extension my productivity) has been completely demolished over the last couple of weeks, bringing the progress on my screenplay to a screeching halt.

But on the plus side, I did beat Tomb Raider: Legend (a game you might have heard of if you bought any DC comics recently, or turned on your television).

In related news, it looks like Angelina Jolie will be back in Tomb Raider 3.

Tuesday, April 18, 2006

Justice League of America Pilot

If you want to see a textbook example of an ill-conceived adaptation, check out this 1997 pilot for a Justice League of America television series (that the network mercifully passed on) currently available on YouTube. I'd like to thank Jeff for emailing me the link to this video, assuring me of a productivity-free morning. Until today I'd only seen still photos of this fiasco.

Trust me, watching this will actually make you nostalgic for the superior Flash TV series from the '90s. For one thing, the Flash is probably the character most egregiously defamed here. Barry Allen is depicted as an aimless loser who can neither get a life nor keep a job. Yet they acknowledge that his superpowers come from a lab accident. I guess the chemical explosion in the crime lab where Barry Allen worked as a police scientist gave him brain damage in addition to super speed.

Particularly lacking in logic is the format of the pilot. The members of the Justice League appear in their civilian identies in documentary-style video clips that break up the main story. As if they're being videotaped for a VH1 "Behind the Music" episode, they casually discuss a variety of topics such as how they acquired super powers and how their responsibilities as superheroes complicate their everyday lives. Yet a primary theme of the pilot is how crucial it is for them to maintain their secret identities in order to protect their friends and families. So who exactly is this documentary being produced for? I almost expected one of them to say, "Boy, I hope the Legion of Doom never sees this."

Not that anyone who is the slightest bit observant would need help recognizing these individuals in their costumes and masks. Seriously, some of these characters' "disguises" (Fire's in particular) make Superman's Clark-Kent-eyeglasses look plausible.

The plot is dependent upon Ice accidentally discovering the villain's weather-control device, accidentally short-circuiting it (thereby getting endowed with ice powers), and then putting it back where she found it and mentioning it to no one for days so that it can be used to threaten the city again in the climax.

I have no idea who the Green Lantern was supposed to be based on. He had Guy Gardner's name, Hal Jordan's origin, and, for all I know, Kyle Rayner's personality. In order to fly he had to make a helicopter propeller with his ring. And his girlfriend is more gullible than Lois Lane.

The Atom shrinks down so that he can rescue a cat under hiding under an old lady's porch. Ice "saves" a guy from drowning by freezing the lake he's in solid (don't worry, he suffered no ill effects). And the one character that you would expect to be the most preposterous, the Martian Manhunter as played by M*A*S*H veteran David Ogden Stiers, was one of the only aspects of this debacle I thought almost worked. (Stiers, by the way, went on to voice Solivar on the Justice League Unlimited cartoon).

There were a couple of things in it I found entertaining, beyond the train-wreck quality of the entire enterprise. One was obviously intentional, the other definitely not...

The first was the computer password that Ray Palmer hacked in order to gain access to the supervillain's database: RED SKY, clearly a reference to the red skies phenomenon from the original Crisis on Infinite Earths mini-series. This is the only thing in the pilot that made me think the writers might actually have read a comic book starring the JLA.

The second was a bit of dialogue between the Atom and Ice. You'll notice in the screencap above, Ice is the only one in civilian clothes. That's because she gains her ice powers during the course of the pilot and only joins the League at the end. After she accepts her invitation, Ice asks the Atom, "What would you have done if I'd said no? I mean, I know who you all are." His response? "Don't ask."

I couldn't help laughing at this ominous foreshadowing of Identity Crisis. Since she doesn't appear in the pilot, I suppose we can just assume that Zatanna is a reserve member of the League, and that she is called upon whenever her services are required.

Sunday, April 16, 2006

Perfect Easter Basket Stuffers

Saturday, April 15, 2006

David Blaine Strikes Back!

I couldn't help noticing that South Park Supervillain (and the messiah of the Cult of Blaintology) David Blaine was at the top of Yahoo's "Buzz Index" today, after having just mentioned him in yesterday's post (as the arch-nemesis of the Super Best Friends). Curious about the timing, I did a quick search and turned up this news item on the Chicago Sun-Times website: "Blaine To Spend Week in Aquarium." The article explains that David Blaine plans to live underwater for seven days in front of New York's Lincoln Center next month.

This brought on a couple of revelations:
  1. When Blaine squared off against the Super Best Friends in Washington, DC, he brought the statue of Abraham Lincoln to life to battle them. Coincidence? I think not.
  2. Living underwater is obviously the best way for Blaine to protect himself from Mohammed's powers of pyrokinesis, if he is indeed preparing for a rematch.
Now, you might think that using an aquarium as his staging area would make Blaine particularly susceptible to Joseph Smith's ice powers, but you have to remember that Blaine demonstrated his immunity to freezing back in 2000 when he was encased in ice in Times Square for almost 62 hours.

The only question that remains is whether ABC will allow the David Blaine: Drowned Alive special to air unedited, or if they will censor Blaine's battle with Mohammed in order to capitulate to terrorist threats.

Friday, April 14, 2006

Comedy Central Lets The Terrorists Win

On the left, a pre-9/11 image from "South Park" on Comedy Central. On the right, a post-9/11 one. When I saw the image on the right Wednesday night, I thought it was a joke, but apparently it wasn't, according to today's news stories at WorldNetDaily and E!Online.

For the non-South-Park-fans in the audience, the picture on the left depicts some of the members of the Super Best Friends, a Justice League of religious icons assembled by Jesus to defeat stage magician David Blaine. Pictured here (left to right) are Joseph Smith, Buddha, Jesus, and... HOLY FUCKING SHIT THAT'S A PICTURE OF MUHAMMAD ON MY BLOG! WE'RE ALL GONNA DIE!

Oh, the irony of Comedy Central censoring an image of Muhammad in a South Park episode about Fox Network executives having the courage to air an image of Muhammad on Family Guy. And the fictionalized Fox execs were facing direct threats from Al-Qaeda, no less, while the real-world Comedy Central ones were merely reacting in fear to the months-old Danish cartoon riots.

Comedy Central's display of cowardice in the face of abstract concerns about terrorism really makes the conclusion of this week's episode -- Jesus taking a crap on the American flag -- rather redundant.

Thursday, April 13, 2006

Buckaroo Banzai #3

From Comics Continuum comes more information on the comics sequel to the greatest movie of all time:
BUCKAROO BANZAI #3 (MOONSTONE BOOKS)

Story by Mac Rauch and WD Richter, adaptation/new material by Joe Gentile, art by Stephen Thompson, inks by Ken Wolak, covers by Dave Aikens and Michael Stribling.

"Return of the Screw," part 3 of 3. The rollicking saga concludes as Banzai, along with his Hong Kong Cavaliers, think outside the box to make sure our world can safely go to sleep at night!

Hearts are broken, a birth of something strange, a photo with a sad memory, a road trip with Uzis, the Man in the Moon, an assault on a Lectroid stronghold, Tommy as Tarzan, unerring marksmanship, the taste of a good rope, and all that wrapped inside a riddle about an elephant! But when will they have the time to book the studio to record their next smash album?

This "Mr. Toad's Wild-Ride" adventure screams (and then jumps with the world holding hands) to a conclusion that could only happen to our one-of-a-kind scientist/hero/rock star...Buckaroo Banzai!

32 pages, $3.50
See also: Buckaroo Banzai Returns, Buckaroo Banzai #2

From Billy Madison to Billy Batson?

Yahoo News and Sci Fi Wire reported today that Peter Segal, director of such Adam Sandler movies as "The Longest Yard," "50 First Dates" and "Anger Management," has been chosen to helm the "Shazam!" movie. Although Sandler himself has no connection to this movie (yet), I can easily see him as a grown-up version of Billy Batson.

I'm not saying it's pretty, I'm just saying I can see it. It's not that hard, watch: "Adam Sandler wearing a red t-shirt with a yellow collar." See? Instant mental image. But I'll make it even easier for you with a little cheesy photoshopping below.

Of course, that makes me wonder who would play Captain Marvel after Sandler yelled "Shazam!"...

I'm thinking Brandon Molale, who appeared with Sandler in "The Longest Yard" and "Mr. Deeds." You might also remember him from "Dodgeball."

If you've got a better suggestion for the role of the Big Red Cheese (a.k.a. Captain Whitebread), I'd like to hear it.

(By the way, I bet you never expected to see a photo of Captain Marvel attending the premiere of Deuce Bigalow, did you?)

Tuesday, April 11, 2006

All Aquamen Are Not Created Equal

Okay, pop quiz: What's the difference between these 2 Aquaman action figures?

(I mean besides the fact that the one on the right, based on designs by Ed McGuinness, looks like it could launch a congressional hearing on steroid abuse among Justice League members. Seriously, just take a look at his teammates).

Here's a hint. Check out the close-ups:

That's right. The figure on the left is intended "for ages 8 and up," while the one on the right is intended "for ages 14 and up." Both action figures depict Aquaman. Both are part of a JLA series. Both were made by DC Direct. But between them there is a 6-year maturity gap of some sort.

Try to imagine that your son (or daughter -- I'm not sexist) is a huge fan of Cartoon Network's soon-to-be-defunct Justice League Unlimited cartoon, and on his 8th birthday you take him to the local comic shop to spend the birthday money he received from relatives. And for some reason that you can't quite fathom (get it? fathom?), he decides he wants an Aquaman action figure. (He's only 8... there's no accounting for taste. But what's the WB's excuse? Seriously, Mercy Reef? Is it really necessary to prove you can sink lower than Smallville?) You tell him he can have the one on the left, but for the one on the right, he'll have to wait another six years. Now there's something that will make him look forward to his 14th birthday.

And that's despite the fact that the figure intended for younger children comes with a dangerously pointy trident accessory that your son could poke out his eye with (or stick down his throat, or shove up his nose into his brain). How does that make any sense?

Worse still, he then comes to his senses and realizes that there are far cooler action figures on display than Aquaman... but then discovers that the vast majority of them are beyond his appropriate age range. All the cool series are: Kingdom Come, Batman: The Long Halloween, Hush, Justice, Batman/Superman, (not to mention anything made by McFarlane Toys)... all out of reach for six more years.

What exactly makes these DC heroes unfit for kids 13 and under? Are they unwholesome somehow? Compared to what? Certainly not the Marvel Legends figures...

What we have here is a flaming, leatherclad demon named Vengeance who rides a flaming, skeletal motorcycle. This toy is covered in so many spikes and exposed ribs that I'd no sooner hand it to a small child than I would a rabid porcupine. Yet, it's somehow suitable for kids 5 and older:

Seriously, if that hypothetical 5-year-old has a hypothetical younger sibling, this action figure is effectively a lethal weapon in his hands.

If someone can explain to me the logic behind DC Direct's labeling system, I would be much obliged. I think the Choking Hazard warning, explaining that the toys aren't for kids under 3, should be quite sufficient. Beyond that, I have a hard time imagining any superhero action figure that could be considered inappropriate for someone between the ages of 8 and 14.

And yes, this is exactly the sort of thing I spend my workday thinking about.

Monday, April 10, 2006

The Return of Comic Book Guy

"Just when I thought I was out, they pull me back in."
--Al Pacino, The Godfather III
Comic Book Guy is back! No, not Jeff Albertson... me, Corey Bond!

If you'd asked me last month how long it had been since I'd logged any hours behind the cash register of a comic shop, I would've told you 11 years. Today I would tell you it's been about an hour and a half. That makes the 00's the third consecutive decade I've done time as a comics retailer.

In the 8os, working at Paper Heroes was a part-time college job for me. In the 90s, it was my first management job. Now it's an opportunity to avoid getting a "real" (read: "soul-destroying") day job while I work on my screenplay (more on that later). Not to mention that it puts me back in my element, surrounded by my people. (You know... geeks).

Speaking of being surrounded by geeks, you should check out my Paper Heroes photo set at Flickr. I'm compiling pictures (taken over the last 20 years by my friends and me) of comic creators, store signings, comic conventions, original art, etc. (Also, collectors might be interested in the Collectibles set).

When I left Paper Heroes in the 90s to get married and start a family, it was during DC's continuity-altering "Zero Hour" mini-series. Now that I'm happily divorced, my old friend (and fellow comics retailer) Earl points out that I'm returning to the comics biz (and once again pursuing a writing career) during DC's "Infinite Crisis." Life imitates art? Comics geek times all of his major life changes to coincide with those of the DC Superheroes? I guess we'll find out One Year Later.